Cabinet refinishing lives or dies on preparation. Kitchen doors carry years of grease that ordinary cleaning will not shift, and paint applied over it will peel within months. We degrease, key every surface, prime with a bonding primer and build the finish in thin coats.
Doors and drawer fronts are removed, labelled and finished off-site or in a controlled area, then rehung and adjusted. You keep your existing layout and carcasses and get a kitchen that looks new for a fraction of replacement cost.
Who it is for
Dated but sound kitchens
Solid timber and MDF doors
Bathroom and utility cabinetry
Built-in wardrobes and shelving
Landlords upgrading rentals
What's Included
Cabinet Painting includes
Full degrease and clean down
Doors removed and labelled
Sanding and surface keying
Bonding primer coat
Hard-wearing cabinet finish
Carcasses and frames included
Rehanging and adjustment
Optional new handles fitted
Step One
Can your cabinets be refinished?
This is the first question and it is not one anyone can answer from a photograph. What decides it is not the age or the colour of the kitchen but two things: whether the boxes are structurally sound, and whether the existing surface can be prepared well enough for a new coating to bond to it.
The carcasses matter more than the doors. If the boxes are square, solid and well fixed, refinishing keeps everything that is working and changes everything you see. Doors are the visible part and can be replaced independently if a few are past saving, which is usually far cheaper than replacing the kitchen.
The existing surface decides the preparation. Painted and varnished timber, veneer and most factory-finished doors can generally be prepared and coated. Melamine and laminate faces can often be coated too, but only where the facing is intact and firmly bonded. Where a thermofoil skin has started to lift or peel away from the board beneath, no coating will hold it down, because the problem is the layer underneath rather than the finish on top.
Refinishing changes how a kitchen looks. It does not repair swollen board where water has been sitting, failed joints, sagging shelves or hinges pulling out of soft material. Where we find that, we say so and price the repair separately rather than coating over it. We assess the actual doors and boxes at the visit before quoting. Pricing repairs separately is deliberate rather than evasive, and how a quote is broken down explains why things are split out that way.
What we look at first
Usually a good candidate — Sound boxes, intact faces, tired or dated finish, layout you want to keep.
Often workable — Previously painted doors, veneer, melamine and laminate where the facing is firmly bonded.
Assess carefully — Thermofoil that has begun lifting at edges or corners; heat damage beside an oven.
Refinishing will not fix — Water-swollen board, failed joints, sagging shelves, hinges pulling out.
Decided at the visit — We look at the actual doors and carcasses rather than diagnosing from a photo.
Step Two
Why cabinet preparation is different from painting a room
A wall is a clean, porous, static surface. A kitchen door is a sealed, contaminated one that gets opened, wiped and knocked several times a day. Almost every failed cabinet finish traces back to preparation rather than to the coating that was used.
Kitchen residue is not ordinary dirt
Cooking releases an aerosol of oil that settles on every surface in the room and hardens over time into a thin, tenacious film. It concentrates around the hob and above the extractor, and on the doors people touch most. Ordinary household cleaning takes the top off it and leaves the rest.
Degreasing, then rinsing
Surfaces are degreased with a product intended for the job, and then rinsed — because a degreaser left on the surface is itself a contaminant. Skipping the rinse is a common shortcut and it undermines everything applied afterwards.
Keying the surface
Most factory cabinet finishes are hard, sealed and deliberately smooth, which is exactly what a new coating cannot grip. Sanding is not there to remove the old finish; it is there to give the primer a mechanical key. On a sound factory finish that means abrading it evenly rather than stripping it back.
Where the old finish is failing
Anywhere the existing coating is chipped, flaking or lifting is taken back to a sound edge and feathered, so there is no step under the new finish. Coating over a loose edge simply moves the failure into the new film.
Bonding primer
A primer intended for adhesion does the work of gripping a difficult surface and giving the topcoat something consistent to sit on. Which primer suits a given kitchen depends on the substrate, so it is chosen after seeing the doors rather than by default.
Thin coats, properly built
Cabinet coatings are built in several thin passes rather than one heavy one. Thick coats stay soft underneath, take far longer to harden and are the usual reason doors stick to frames weeks later. Thin and patient produces a harder, flatter result.
Step Three
Spraying, brushing and how the finish is actually applied
Neither method is universally correct. What suits a kitchen depends on which components are being coated, whether they can be taken off site or to a controlled area, and how much containment the room allows. Most projects use both.
What spraying gives you
A sprayed film levels out with no brush or roller texture in it, which is what people mean by a factory-smooth look. It is generally the better choice for doors and drawer fronts, where the surface is flat, large and closely looked at.
What spraying demands
Atomised coating travels. It needs full masking or a controlled area, extraction and proper protection of everything nearby, and that setup is a real part of the work. Spraying inside an occupied kitchen without that preparation is how overspray ends up on worktops, appliances and floors.
Where brushing and rolling belong
Carcasses, face frames, end panels and anything staying in place are usually finished by hand, because masking a whole room to spray fixed components rarely earns its cost. Applied properly with the right tools, hand-applied carcasses sit consistently alongside sprayed doors.
Doors handled away from the kitchen
Removing doors and drawer fronts and finishing them in a controlled area keeps dust off the wet film, allows them to be coated flat so the finish levels evenly, and keeps the disruption in your kitchen down to the fixed parts.
Why flat matters
A door coated lying flat lets the film settle out. The same door coated hanging is fighting gravity, which is where runs and sags on vertical faces come from. It is a small detail that shows up clearly on a large flat panel in daylight.
Matching sprayed and brushed areas
Where doors are sprayed and carcasses are hand-finished, both are worked from the same product and colour, and sheen is chosen with that mix in mind. A very high-gloss sheen exaggerates any difference between the two; a satin or eggshell level is more forgiving.
Steps Four to Six
Doors, drawers and knowing when the kitchen is really ready
Doors, drawer fronts and hardware come off before anything is coated. Each piece is labelled to its opening, because cabinet doors are rarely as identical as they look and a door rehung on the wrong hinge pattern will not sit true. Handles, hinges and screws are bagged per door rather than pooled.
Drying and curing are not the same thing, and the difference is what protects your finish. A coating becomes touch-dry when enough solvent or water has left the surface for it to feel dry to a fingertip. Curing is the slower process by which the film continues to harden and reach the durability it was formulated for. Touch-dry can happen in hours. Full hardness takes considerably longer.
That matters because a kitchen is a contact surface. A film that feels dry can still mark under a fingernail, print where a door meets a frame, or pull if something is left sitting against it. The interval between the two states is exactly when most avoidable damage happens — and it is invisible, which is why we tell you rather than assume you know.
How long that takes depends on the coating system, the temperature and the humidity in the room, so we give you the timing for the products actually used on your kitchen rather than a number from a brochure. We will also tell you which parts you can use straight away and which are worth leaving alone for a while longer.
Reassembly, done properly
Labelled to its opening — Every door and drawer front mapped back to where it came from.
Hardware bagged per door — Hinges and screws kept together, not pooled into one tub.
Hinges adjusted on rehang — Doors reset so gaps are even, rather than just screwed back on.
Bumpers renewed — Fresh pads so doors are not closing onto a fresh film.
Timing given in writing — What is usable immediately, and what benefits from being left.
Our Process
How the work runs
01
Consultation
We visit the property, discuss the finish you want and give you a clear written estimate.
02
Preparation
Furniture protected, surfaces repaired, sanded and primed. Preparation is most of the job.
03
Professional Work
Our team completes the work to schedule, keeping the site tidy at the end of every day.
04
Final Inspection
We walk the finished work with you and correct anything before we call it done.
Related Services
Often booked together
Most projects touch more than one trade. We can handle the related work at the same time.
Considerably. Refinishing typically costs a fraction of new cabinetry because you keep the existing carcasses and layout, and it takes days rather than weeks.
Drying is the surface becoming touch-dry, which can happen within hours. Curing is the slower hardening that follows, as the film develops the durability it was formulated for. A finish that feels dry can still mark or print under pressure, so the gap between the two is when most avoidable damage happens. How long it takes depends on the coating system and on temperature and humidity, so we give you the timing for the products used on your kitchen.
Usually both, on the same kitchen. Doors and drawer fronts are generally sprayed, because a sprayed film levels out with no brush texture and those are the large flat surfaces people look at closely. Carcasses, face frames and anything staying in place are normally hand-finished, since masking a whole room to spray fixed parts rarely earns its cost.
Doors and drawer fronts come off and are finished in a controlled area, then rehung and adjusted. That keeps dust out of the wet film and lets each door be coated lying flat, which is how the finish levels evenly instead of running on a vertical face. The carcasses stay where they are and are finished in place.
Almost always preparation rather than the coating. Kitchen surfaces carry a hardened film of cooking oil that ordinary cleaning does not remove, and anything applied over it has nothing sound to grip. The other common causes are coating over a factory finish that was never keyed, painting over an edge that was already lifting, and building the film too thickly so it stays soft underneath.
When the problem is the structure rather than the surface. Refinishing changes how a kitchen looks; it does not fix water-swollen board, failed joints, sagging shelves or hinges pulling out of soft material. Thermofoil that has already started lifting from the board underneath will not hold a coating either. We would rather tell you that at the visit than coat over it.
Get your free cabinet painting estimate
Tell us about your project and we will send a clear, itemised estimate. No obligation.